A.I. Artificial Intelligence
A. I. Artificial intelligence is alien in such a lot of approaches to steven spielberg’s canon of moral fact. The movie’s deceptive darkness stems from its treatment of adolescence trauma, the fear of abandonment, and panic over dropping one’s identity. It envisions a futuristic global at the verge of collage, a landscape of blinding colorations and easy textures passionate about each short-term rejuvenation and collective destruction.
A. I. Is all approximately texture, especially the contrasting surfaces of a technologically superior world dropping its want for emotional connection. Spielberg’s tight compositions display characters apparently trapped by means of their own reflections, destined to whither under the stress of artificial happiness. Janusz kaminski’s fluid camera pins “amazing toy” david (haley joel osment) and gigolo joe (jude law) behind obstacles of all type: the flesh fair bars, between rouge city’s numbing rows of signs and symptoms, and sooner or later frozen in time below water at coney island, mere inches faraway from the fabled blue fairy. Like every critical second in a. I., the partitions are last in on david, and spielberg’s hypnotic templates of neon light and shading add up to a stunningly non-public nightmare approximately the manner innocence unmasks the hidden doubt in others.