The reason — if now not justification — become simple: the movie felt like an excessive amount of of a style film, which doesn’t clean the bar of the cannes “class” element. In this case, although, i’d defy all people to classify the genre. “the lighthouse” is a gripping and turbulent drama that’s very a whole lot its own gothic historic ominoso art-thriller thing.
Set in the eighteen nineties, and shot in shimmeringly austere black-and-white, and with a startling old skool 1. 19:1 factor ratio (a almost perfect rectangular, like that of early sound movie), it’s set on a desolate island of jagged rock, wherein a gnarled antique sea canine (willem dafoe, declaiming his traces like captain ahab on a bender) is tending the lighthouse there whilst schooling his new assistant (robert pattinson). Are we seeing a story of survival, a victorian ghost tale, or a look at in gradual-brewing mutual madness? How about all of the above? Dafoe and pattinson, gambling these gruff yokels, act out what often feels like the duration model of a sam shepard -hander, and that they’re fascinating sufficient to fixate our attention.